Identity design for Accents Decoration. by La Tortilleria.
We had two girls, one business and a whirlwind of creative ideas ready to be shared. They wanted to boost the look of their boutique and we were definitely up for the challenge. In this project, our main goal was to highlight the meaning of an accent and its importance in different settings to create a unique space. With that in mind, we decided to give a face-lift to their image for their sixth anniversary to mark the beginning of this new phase.
(Sanskrit) [from pra-ma to measure out from the verbal root ma to measure] An object of exact knowledge; hence a thing to be proved. Concept is based on symbology of Prameya’s original symbol and meaning which means: Knowledge, Object, and Subject, taken from the definition of Prameya. Copyright and design by Sciencewerk.
Identity design for an argentinian interior designer by Nicolás Vasino.
Claudia Menrez let herself be inspired by the concepts of late architecture modernism. Feelings, forms and color impressions of the designer’s work are reflected subtly in the logo, letterhead, business card and website.
After successfully growing their business through NYC street markets like Hester St. Fair, Brooklyn Taco owners, Jesse and Erica, decided it was time for their brand to grow. Tag Collective were tasked to not only create a new graphic identity, but also build out their first permanent taqueria in Essex St. Market.
EXPAT NORWAY is a relocation service for expats in Norway, making it easier for businesses to invest in human resources abroad. They have a high focus on customer involvement and make sure they always deliver the right service in each situation, making every customer a different path and a different experience.
Based on this we created a logo and identity that followed in the same footsteps, always changing and adapting to the different path. A dynamic logo that reflects their service, connecting the dots and making a global network of expats.
Bass’ work in logo design and movie title credit sequences spanned the latter half of the 20th century, with prominent work in each field. He worked closely with AT&T, designing not only the 1970 “bell” logo that was ubiquitous for a decade, but also, upon the divestiture of AT&T, he designed the original “death star” logo, unveiled in 1984.
One reason for this bell logo’s ubiquity? That redesign was the largest corporate re-identity program in the U.S., ever. The redesign covered:
* 135,000 Bell system vehicles * 22,000 buildings * 1,250,000 phone booths * 170,000,000 telephone directories
This film was made by his company as a presentation to AT&T executives. It would have extended to be shown to the public, but a number of his ideas in the film were not ultimately adopted, like his phone booth designs, and men’s and women’s uniforms. But a great many were—including, most memorably, the telephone vans and hardhat designs of the 1970s. He designed down to the details, showcasing in this film a myriad of ideas, right down to the yellow pages book designs, cufflinks for executives, and flags.
Bass’ other very recognizable logo designs that persist today include those for Minolta, Girl Scouts of America, Avery International, Geffen Records, Warner Int’l, and many more. Bass’ design for AT&T was the foundation for the logo that the company has today, redesigned in 2005 by Interbrand.
