Design duo Job Smeets and Nynke Tynagel work together under the name Studio Job. For more than a decade they’ ve amazed international audiences with the most outrageous of designs.
via: Submarine Channel
Design duo Job Smeets and Nynke Tynagel work together under the name Studio Job. For more than a decade they’ ve amazed international audiences with the most outrageous of designs.
via: Submarine Channel
How the information is manifested in The New York Times.
via  Gestalten.com
Content is King, and Kings can be demanding. Especially if they have to edit and design elaborate visual substance for magazines and books while juggling projects whether it be creating movie posters, typography, photography and corporate identity or logo design. Berlin-based designer and artful thinker Mario Lombardo has managed to do exactly this, but exceptionally, for over a decade now. Having established a reputation as one of Germany’s leading designers and editors, Mario is difficult to nail down but easy to rely upon when it comes to everything visual that needs a makeover or creation from scratch. Watch for yourself, to see how this designer extraordinaire works and so graciously pulls another rabbit out of his hat.
via:Â gestalten.com
An American advertising producer in Shanghai tries to sell fast food to the Chinese.
via Doobybrain.
Erik Spiekermann talking with Gestalten TV about the process of designing typefaces.
Finally watched Art and Copy. Its a beautiful film. Really liked ‘meeting’ the minds of the advertising machine.
Director Doug Pray reveals the work and wisdom of some of the most influential advertising minds of our time. From the “creative revolution” of the 1960s, artists and writers have brought a surprisingly rebellious spirit to their work in an industry known for pandering and manipulation. Featuring the brilliant campaigns behind everything from cars to presidents, Art & Copy takes us inside the powerful machine of advertising and brings to light the profound influence the industry enjoys by tapping into the zeitgeist of popular culture.
Artist William Kentridge talks about his process of repeatedly erasing and reworking charcoal drawings to create his well-known stop-motion animated films.
via: sfmoma.org